It is always inspiring to reconnect with one’s craft, as I have the opportunity to do by observing the teaching of my mentors Oleg Proskurnya and Leonid Korchmar at the conducting workshop at West Virginia State in Charleston, June 18-23. The principles of physics affect all forms of music making, but they are particularly visible […]
Tag Archive 'Craft'
I am writing on the morning of the Hamilton College Orchestra’s last concert of the year, and it seems like the right time to draft some thoughts on what I hope my students learned in working with me this year – or 2, 3, or 4. It would be presumptuous to say I successfully conveyed […]
One of my major projects this year was to help rethink and rewrite Hamilton College’s Educational Goals as part of an ad hoc committee appointed to this task. This was an extremely fun assignment, motivated in part by the two-year-old Mellon Curricular Leaders’ study of the Open Curriculum at Hamilton both internally and in comparison […]
Zazen is for allowing a clear mind. – Shunyru Suzuki, quoted in Crooked Cucumber by David Chadwick It’s February, which means that everyone in academe (students and professors) is in the trenches, trying to make it to Spring Break. It is easy to find oneself overwhelmed – and there are signs that a number of […]
When you have a strict practice that doesn’t ignore the weak points of your practice, then eventually you will have good practice. – Shunyru Suzuki, quoted in Crooked Cucumber by David Chadwick A friend of mine, Keith Hill, notes (as have others) that on one level who we are is the sum of how we […]
Back from a long trip (sans instrument) over the holidays, I am taking notes while sitting at the piano playing scales for the first time in weeks, and anticipating doing the same in a couple days with long tones on trombone. I am definitely starting over (again). Many people loathe this feeling of starting over […]
A recurring theme this fall, for me and others: sooner or later many of us experience some degree of injury from the physical aspect of our work or training. I find it useful to think of this in terms of Being a Smart Athlete. In my case this applies to both my music and exercise habits. Some general observations:
1. Musicians are Athletes. Our bodies are our instruments, and we need to monitor and manage them as carefully as would an elite athlete.
I don’t know the specific biological or neurological mechanisms that would pertain to whether the Vibrational Model is literally accurate or more of a metaphor – but at some level it feels right. Even if only metaphorically, each of us does both transmit and receive vibrations from others; and we are deeply influenced at both cellular and energetic levels both by these vibrations, as well as by the range of vibrations we detect as sounds (music, speech, or ambient sound or noise).
Students sometimes ask me for a recommended listening list for general music literacy (this is part of Craft). So from the perspective of an orchestra girl, here are my recommendations. I recognize this list is slanted toward orchestral composers, so inevitably there are gaps – but this is after all a subjective exercise! When the […]
The most basic part of pursuing music at any level is learning what it means to Honor your Craft. Many books address this topic – some of my favorites being Suzuki’s Zen Mind, Beginner’s Mind (see my first post), Eric Maisel’s Coaching the Artist Within, Eric Booth’s The Everyday Work of Art, and Twyla Tharp’s […]