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How much practicing?

The most basic part of pursuing music at any level is learning what it means to Honor your Craft.  Many books address this topic – some of my favorites being Suzuki’s Zen Mind, Beginner’s Mind (see my first post), Eric Maisel’s Coaching the Artist Within, Eric Booth’s The Everyday Work of Art, and Twyla Tharp’s The Creative Habit.  One of the great gifts of music is the opportunity to have the experience of Craft – a regular, sustained commitment to maintain and improve your skills in a specific discipline; the experience of making progress at something challenging; a basic commitment to quality.  While in pursuing our Craft it will often feel like we are starting over again and again, over years the benefits of this sustained commitment to practice and quality yield innumerable personal rewards.

So what are the minimum demands of Craft?  Continue Reading »

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Shut up and play

There’s a lot of cross-talk in my life between music and sports, which I imagine is true for many musicians.  The first Sunday in April is the first local road race of the season, the Rome Fort to Fort 10k run.  This year I was excited for the new season, and even played some psych-up music in my head before the race (John Adams Short Ride in a Fast Machine).  As a result I went out rather too fast, and found myself hanging on for the rest of the race.

In the middle of a race, when things are somewhat uncomfortable, there’s a tendency to give yourself some kind of pep talk, recite a mantra, or tell yourself something positive about your ability to keep going at that speed.  In the middle of the 4th mile my mind started grasping for something to help me keep going – along the lines of “you can keep this up for another x minutes.”  (I like to calculate distance and pacing while I run.)  Then I noticed that even that positive thought seemed to drain energy – even a cheerleading thought that you can do something contains within it the doubt that perhaps you can’t.  Continue Reading »

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Every note counts

On Sunday, November 7, I’m giving my first recital since the spring of 1996.  It’s at 3 pm at Hamilton College in Clinton, NY (near Utica), in Wellin Hall.  It’s my first recital since changing careers from orchestral playing to conducting, since going back to school and working with some wonderful teachers but also going through a very challenging transition.  Perhaps oddly, it only recently occurred to me that I could still do recitals, and that this was a kind of performing in which I felt most at ease and in which I could most directly express myself.  So this performance is about the joy of rediscovering my trombone voice and sharing that again.

Continue Reading »

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The inspiration for this blog is my favorite book, Shunyru Suzuki’s Zen Mind, Beginner’s Mind.  Every time I pick up the baton or the trombone there is the feeling of starting over again from scratch.  Not completely, and not literally – but to some extent we are always beginning.

There is, of course, a good sense and a bad sense of beginning –

Good: openness, freshness, adaptibility to change, attitude of exploration and discovery

Bad: deterioration (or lack) of skills or Craft

My other favorite book in the background of my approach to life is Lao Tzu’s timeless Tao Te Ching (when translated into English, The Way of Life), and Taoist ideas in general.  In playing an instrument, in conducting, in the physical world we are constantly interacting with basic elements and forces of nature: Wind. Gravity, weight, momentum. Lightness and density. Fluidity. Elasticity.  Various forms of energy.  The more aware of and in tune we are with these elements, the easier and more enjoyable it is to to tap into these forces to help us move around in the world and to do music.  Attending to and being in harmony with these elements is being in the world in a way that’s musical.

Finally, the notion that everything is connected is basic to how many of us experience the world.  Because being a musician is central to me, practicing trombone, piano, or stick technique is all practice – as is swimming, biking, or running, or strength training.  A walk in a garden or forest or by water is also musical practice or study, depending on how you direct your attention and how the activity relates to how you spend the rest of your time.

My intention is to develop these and related ideas around musical craft and life, through my experience as an instrumentalist, conductor, educator, would-be athlete, and student of Eastern philosophies that have influenced me.  How all of these ideas are intertwined, and all of the ways in which life as a musician becomes Practice.

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